Leonardo Magrelli

Leonardo Magrelli was born in Rome in 1989. Holds a bachelor’s degree in Design from “La Sapienza” university in Rome (class of 2012, full marks and high honour). Currently studies Art History in Rome, to get his second bachelor’s degree. In 2010 starts working with the photographer Marco Delogu, director of Fotografia – International Rome’s Photography Festival, and chief editor of the publishing house Punctum Press. Aside from collaborating with the organization of the festival, Leonardo also designed many of the books published by Punctum. In 2011 starts collaborating with the graphic and book designer Riccardo Falcinelli. In 2014 starts working on his own, to focus more on his photography.

(don’t miss his previous publication)

PAIRIDAEZA

Paradise – from ancient persian Pairidaeza (Pairi – around, Daeza – wall) a place surrounded by walls.
Iran has recently been included in Trump’s Muslim Ban list. This already mostly unknown land will now be even less accessible. This reason alone would suffice to motivate the choice of photographing the country under a different, detached and less propagandistic light. Other issues though emerge in the encounter with this region of the world.

This series of photographs was taken while roaming the Iranian central desert and the cities within. So many different populations, religions and empires have followed one other for millennia, inhabiting these lands, reaching peaks of astonishing balance with their surroundings. Mithraic temples, Zoroastrian villages, Persian cities, they all were conceived and built in a perfect symbiosis with the land.
And yet today there seems to be a kind of ambiguous struggle to fit in these territories. A latent friction emerge between the human presence and the environment. Things seems to be out of place: ambiguous objects, unfinished buildings, indefinite traces of the mankind are left behind, lying isolated and scattered on the ground. It’s “the mutual interference between the landscape and those who live it” as Baltz wrote in his Review of the “The New West”.

It may seems outdated nowadays to still talk about the issues raised by the new topographers more than forty years ago. But it must be kept in mind that Iran hasn’t yet started to develop a proper sensibility to the ecological and aesthetical problems of the landscape. The way people live the territory and live inside the territory no longer relies on the fusion with the surroundings, but rather on the separation from it. Too often the landscape is literally kept out. Almost everything that is built in these lands is surrounded with walls that keep out the rest of the world. One could wonder if this derives from the ancient Persian gardens, however, the paradise is not anymore within these walls, but outside them, hidden from the view.

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