PHROOM magazine // online exhibition space dedicated to fine art contemporary photography // project

Rat Lake, Montana (exposed over 9 hours, dipped in lake, half fixed) // 2016 // Archival Inkjet Print

Born in Indiana, Kyra Schmidt is a visual artist and educator currently based in Savannah, Georgia. She received her Bachelors in Photography at the University of Southern Indiana, and her M.F.A. from the Savannah College of Art and Design. Kyra is presently a working artist and adjunct faculty instructor at Armstrong State University in Savannah, GA.
Kyra’s work is deeply rooted in an interest in the ontology of the photographic medium, in the philosophy of art, and in the belief, that the elimination of a sovereign point of view is a key element in preserving photography as a space for civil transformation. In 2017, she was selected to attend Review Santa Fe, as well as one of the Critical Mass Top 50 Photographers.

PHROOM magazine // online exhibition space dedicated to fine art contemporary photography // project

Ennis Lake, Ennis, Montana // 2016 // Archival Inkjet Print

Transcriptions

Transcriptions presents non-representational images from experiences with and within nature. It uses integral features of the photographic medium to reframe the systems we use to know the earth. In a search for rootedness, Transcriptions engages directly with various environments by bringing light-sensitive materials into immediate contact with nature, physically touching paper to soil, water, or plant material. This work situates the return to camera-less imagery, a current trend in contemporary art, as a valuable way to connect a photograph’s meaning and appearance with its technique and subject matter. The resulting photographs are passageways through which the transcriptions are carried across; they are evidence of a vision beyond what the eye can see.

PHROOM magazine // online exhibition space dedicated to fine art contemporary photography // project

Basin and Range, Idaho // 2016 // Archival Inkjet Print

Transcriptions makes tangible artifacts of a silent experience. The images in this body of work are not conceptual in nature, instead they are registered through physical means. Sometimes, the prints are superimposed into images of the landscape in which they were created to ground them within their origin. Other times the camera-less images are left without an anchor to examine the material and imaginative basis of photographic experience. Here, images created in and of the landscape offer a raw, primal, and rooted aesthetic experience of place. They set up a world to create occasions for the recognition of beauty. Transcriptions asks the viewer to consider what can be learned from the world through direct physical contact with it, and what such a connection with the world may reveal about ourselves.

PHROOM magazine // online exhibition space dedicated to fine art contemporary photography // project

Ennis, Montana (fixed) // 2016 // Archival Inkjet Print

PHROOM magazine // online exhibition space dedicated to fine art contemporary photography // project

Sea Foam, Tybee Island, Georgia // 2017 // Archival Inkjet Print

PHROOM magazine // online exhibition space dedicated to fine art contemporary photography // project

The Spanish Peaks, Montana (fixed) // 2016 // Archival Inkjet Print

PHROOM magazine // online exhibition space dedicated to fine art contemporary photography // project

Tybee Island, Georgia (Cyanotype washed with tide) // 2017 // Archival Inkjet Print

PHROOM magazine // online exhibition space dedicated to fine art contemporary photography // project

Ennis Lake, Ennis, Montana (water study) // 2016 // Archival Inkjet Print

PHROOM magazine // online exhibition space dedicated to fine art contemporary photography // project

Yellowstone National Park, Wyoming // 2016 // Archival Inkjet Print

website: Kyra Schmidt

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